Although physically handicapped, his pure spirit rises high. Parapalegic Byung-Tae, remembering a past trip his father, goes on a vacation to Kyoungju. He meets two fellow travelers along the way, a wandering poet and a unmarried mother. All three fellow harbor emotional or physical scars. The trip ends up taking much longer than normal. Their wandering represents the troublesome period in which the film was made. Like saints, the three characters revive love and humanism in the hearts of people they pass along the way. The scene depicting childbirth in a stable symbolizes the birth of Christ and represents the possibility of salvation. At the end of the long journey, the sky is open above Chomsongdae. The rehabilitating journey is endowed with a sense of innocence with Yoo Young-Kil′s cinematography. (Lee Yong-Kwan)