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Haruhara-san′s Recorder
A Window on Asian Cinema
Family · Women · Psychology
- CountryJapan
- Production Year2021
- Running Time121min
- FormatDCP
- ColorColor
Program Note
Perhaps we could call this a milder version of a Hong Sangsoo film. Haruhara-san’s Recorder lacks something that a drama should have. Rather than telling the protagonist’s story from start to finish, the film shows several situations that she experiences without context. The protagonist Sachi works part time at a café. She moves into a new apartment and talks to the previous tenant in one scene, which is followed by the scene of her encounters with the café’s patrons. One day, her aunt comes to visit, and without knowing that Sachi has a visitor, her uncle also comes to visit. Rather than explaining why the events are taking place, the camera captures various happenings taking place around Sachi. The audience eventually realizes that the film shows consideration, consolation, and affection for people. Inspired by a Japanese poem, this movie well befits the description of a "poetic film." (NAM Dong-chul)
Director

SUGITA Kyoshi
Sugita Kyoshi was born in Tokyo in 1977 and studied film at Rikkyo University. After graduation, he worked as an assistant director for films directed by Kiyoshi Kurosawa, Shinozaki Makoto, Aoyama Shinji and Suwa Nobuhiro. His debut feature, A Song I Remember (2011), was shown at Tokyo International Film Festival and his second feature, Listen to Light (2017) was screened at Tokyo International Film Festival as well as Jeonju International Film Festival. Haruhara-san’s Recorder is the third feature of his and received the Grand Prix at Festival International de Cinéma de Marseille.
Credit
- Director
SUGITA Kyoshi - ProducerJun HIGENO
- CastChika ARAKI
Minako NIIBE
Takenori KANEKO
Saho ITO - CinematographyYukiko IIOKA
- EditorKeiko OKAWA
- SoundYoungchang HWANG
- MusicSKANK
- Production CompanyIHA FILMS
jun18.h@gmail.com - World SalesNone
Photo

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