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Plastic City

A Window on Asian Cinema

Urbanization · Crime/Violence · Social Criticism · SF  

  • CountryHong Kong,Japan,Brazil,France
  • Production Year2008
  • Running Time100min
  • Format HD
  • ColorCOLOR
Program Note
Like Hong Kong in Love Will Tear Us Apart (1999) or the dystopian city in All Tomorrow’s Parties (2003), Likwai Yu focuses on another city to offer another look into the lives of fragile drifters. This time, they are in Liberdade which means ‘liberty’ in Sao Paulo, the boiling pot of Japanese, Chinese and Korean immigrants. Threatened by dirty cops and their rival gangs, a rich underworld big shot Yuda and his son Kirin want to find another way for peace. Yuda hides in a jungle after faking his death in prison, but Kirin suffers from his obsession that one day he’ll die wretched. As his life is endangered further and further, Kirin’s anguish drives him into the jungle to meet up with Yuda. Their lives keep on rolling like a kind of pan-Asian diaspora. (KIM Ji-Seok)
Director
YU Lik Wai
Born in Hong Kong in 1966, Yu Lik Wai is a graduate of Belgium′s INSAS (Institut National Superieur des Arts de Spectacle). After making the documentary “Neon Goddesses”(1996), Yu established a reputation as an excellent cinematographer. His camera work includes Jia Zhang Ke’s three features “Xiao Wu”(1997), “Platform”(2000) “Unknown Pleasures”(2002) as well as Ann Hui’s “Ordinary Heroes”(1998). His first feature, “Love Will Tear Us Apart”, was shown in Official Selection at the 1999 Cannes Festival. “All Tomorrow′s Parties” is his second fiction feature.
Photo
Credit
  • Director YU Lik Wai 유릭와이
  • Producer Fabiano GULLANE, Keung CHOW, Caio GULLANE, Zhang-Ke JIA, Yuji SADAI
  • Cast Jo ODAGIRI, Anthony WONG, Yi HUANG, Taina MULLER
  • Screenplay Likwai YU, Fernando BONASSI
  • Cinematography Yiu Fai LAI
  • Production Design Cassio AMARANTE
  • Editor Wender LI, Andre FINOTTI
  • Sound Ken WONG
  • Music Fernando CORONA, Yoshihiro YANNO