Nora heads to work before dawn. Life is not easy for her, despite her gentle smile, selfless consideration, and sincere attitude. Her son, daughter, grandson, and granddaughter rely on Nora to the point of becoming like a burden. Every child is precious to her, but she has another son who is imprisoned. The son′s lawyer continues to bill Nora for services without making progress. Good Mother shows the problems of the lower class, the shadow of an advanced country, and the anxieties of a hopeless future, while focusing tightly on the existence of a mother who swallows tears while watching the setting sun. Hafsia Herzi, a noted actress, has expanded her talents to include work as a director. This, her newest film, represents a significant departure in terms of style and theme. Good Mother resembles the great family dramas of Japan, and like those features, this film conveys warm and meaningful sentiments. (LEE Yong Cheol)