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Alpha, The Right to Kill

A Window on Asian Cinema

Crime/Violence · Suspense/Mystery · Psychology

  • CountryPhilippines
  • Production Year2018
  • Running Time94min
  • FormatDCP
  • ColorColor
Program Note
Filipino director Brillante Mendoza is making his name known worldwide and bringing about a new golden age of film in the Philippines. His new crime thriller, as if a reflection of President Duterte’s recent declaration of war on drugs, pictures the bloody struggle between the police and organized crime syndicates. Police detective Espino leads a covert operation to capture the drug lord Abel. Working for him as an informant is Elijah, one of the gang members. It’s not clear whether Espino and Elijah trust each other – they are cooperating now, but betrayal is always possible, and the dynamic cross editing of their activities raises the dramatic tension. As the father of independent film, the director perfectly captures the crime scenes and follows the movements of the characters in fluid shots. This, plus the realistic, expressive lines bring fresh life to the film. It is all the more entertaining for the scenes depicting various crime methods, and the delicate relationship between the characters that can turn at any moment. (Jeong Minah)
Director
Director
Brillante MENDOZA
Brillante Mendoza is one of the most important Filipino filmmakers with films winning accolades at major festivals. At Venice both Lola (2009) and Thy Womb (2012) were nominated for the Golden Lion. At Cannes, Service (2008) vied for the Palme D’Or, Kinatay (2009) won Best Director, Taklub (2015) screened in Un Certain Regard, and 2016’s Ma’ Rosa screened in competition.
Credit
  • Director
    Brillante MENDOZA
  • ProducerCarlo Valenzona
  • CastALLEN DIZON
    ELIJAH FILAMOR
    BARON GEISLER
  • ScreenplayTroy Espiritu
  • CinematographyJoshua A. Reyles
  • EditorDiego Marx Dobles
  • SoundAlbert Michael Idioma
  • MusicDiwa De Leon
  • Production CompanyCenter Stage Productions
    centerstage2005@gmail.com
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