When her husband is executed, the widow pleads that her husband was unjustly killed. The court eventually admits that her husband was mistakenly sentenced to death but indifferently says, "We’re very sorry. It was after all, god’s will." While dejected by the court’s attitude, she receives an unexpected visitor. A man who claims to be her husband’s friend lends a helping hand and even provides her with housing when she is about to be evicted. Why is the man helping the widow? The film speaks to atonement and reconciliation. Despite the efforts for atonement, the dead remains dead. Can one’s struggle to make up for an irrevocable mistake be rewarded? The widow even begins to feel sparks of love for the man before she learns his identity, but commensurate anger divides them. A film with a powerful story expected from a good Iranian film, it was co-directed by Maryam Moghadam, who starred as the female lead. (NAM Dong-chul)